Before it started, there was an announcement:
what had been billed as a one-woman show
would now take place as duet.
“I’m pregnant.”
The audience applauded, delighted
by even more realism. The bump
was proudly on display, drawing
our attention, feeding from it.
I kept wondering how the show
would come off in four or five months.
Touches of surrealism: the girl already
so far gone while she wrestles a tampon
for the very first time; the mother
smoking through her endless condition,
as if she’d arrived here by accident
from some ancient Greek myth;
the boxing couch punching around
his paunch, something about
“knocked up rather than out.”
The rape scene in particular
would take on new meaning --
the actor on her back, delirious,
reaching between spread legs
then suddenly rising, thrusting
from her pelvis, trying her best
to get whatever was inside her
out into the watching world
where we could all name it together.
Woof! Striking!
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